Felix Cherniavsky - Correspondence with Dance Collection Danse 1

Added 19th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 19th Mar 2022

Maud Allan 1164b 51 2008-2-70.jpg
Maud Allan 1164b 51 2008-2-70.jpg
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Felix Cherniavsky - Correspondence with Dance Collection Danse 1

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Maud Allan Research Collection
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Felix Cherniavsky , 11:08 AM 3/12/200 , Fw : Salome X - From_ : fenba@compusmart.ab.ca Sun Mar 12 13:09:03 2000 Return - Path : < fenba@compusmart.ab.ca > Delivered - To : dancecol @ web.net From : " Felix Cherniavsky " < fenba@compusmart.ab.ca > To : " Dance Collection Danse " < dancecol@web.net > Subject : Fw : Salome X - MSMail - Priority : Normal X - MimeOLE : Produced By Microsoft MimeOLE V5.00.2615.200 Date : Sun , 12 Mar 2000 11:08:06 -0700 Dear Laurence Below is an e mail I have just received that might be of interest to you , and certainly begs that you send the relevant page from the Jottings to Brigida - please !! ( If you have not already done so . ) The gist of my discussion with Brygida is that the Salome pose / sketch of " MA als Salome , " Vienna Tageblatt 1906 , is of maud and maud alone . Brygida believes it is of Lile Marberg , and related to her stage performance of 1903 ( see below ) . I have pointed out that the pose is surely more that of a dancer than of an actress . So you see the importance of that page from the Jottings ! Brygida and I have been enjoyably engaged in this lively piece of research for some time and IF it can be settled in favour of Maud , her stock might be an attractive ' futures ' ! Fe ; ix . ---- Original Message From : Brygida Ochaim To : Felix Cherniavsky Sent : Sunday , March 12 , 2000 8:14 AM Subject : Salome UOMO SUS Douque Dear Felix , DOO ONS VISUS I agree with you in many ways . The only fact is that Lili Marberg played the role of Salome already in December 1903 and it stayed in the repertory of the Münchner Schauspielhaus for 5 years according to Mrs. Gross - Roath . Maud Allan premiered The Vision of Salome in November 1906 - three years later . I don't think that Maud copied from Lili Marberg or vice versa , its just not possible . Maud Allans Vision of Salome is her very original interpretation that was absolutely unique . There is no doubt at all . Regarding my research I just have to consider all the possibilities concering the question who posed for Franz von Stuck's Salome . Mrs. Gross - Roath isn't a dance expert and she probably doesn't know Maud Allan . So far she isn't mentioning her in the book . The photographs that Franz von Stuck or his wife Mary took are showing very probably Lili Marberg . On the other hand Mrs Gross - Roath comes to the conlusion and so I do that it's very unlikely that Stuck used these photographs for his paintings . It would be now very interesting to find out why the drawing ( after Schmutzlers painting ) has been published with the name of Maud Allan in the Illustrirtes Extrablatt . You will see when you get the a Printed for Dance Collection Danse < dancecol@web.net > 1