Felix Cherniavsky - Maud Allan's Music Training

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 991 51 2008-2-64.jpg
Maud Allan 991 51 2008-2-64.jpg
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Felix Cherniavsky - Maud Allan's Music Training

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Maud Allan Research Collection
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51.2008-2-64
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Closely associated names ( e.g. kulintangan ) appear for instruments in Borneo ( see MALAYSIA , SII and fig . 9 ) , while similar forms of the instrument with different names ( e.g. bonang , trompong , reyong ) exist in Sumatra , Java , Bali and other islands of INDONESIA . JOSÉ MACEDA 1891 he opened the Akademie für höheres Klavierspiel , but had to give it up in 1900 , again on account of poor health . As a teacher , he was regarded as highly as his father . He made an important edition of Beethoven's piano concertos . WORKS Pf methods : Der Fortschritt im Klavierspiel ( Berlin , 1892-7 ) ; Die Harmonie auf dem Klavier ( Berlin , n.d. ) ; Der erste Klavierunterricht ( Berlin , n.d. ) ; Die höhere Klaviertechnik , op . 14 ( Leipzig , 1900 ) Other works : Ines de Castro ( opera ) , Berlin , 1877 ; works for orch incl . Jubiläums - Ouvertüre ( Berlin , 1912 ) ; pf pieces , ind . Scherzo , d ( Berlin , 1868-73 ) ; songs ; numerous edns./arrs . , incl . works by Beethoven : 5 pf concs . , arr . 2 pf ( Leipzig , c1882-9 ) , Bach , Mozart , Hummel WRITINGS Der Vortrag in der Musik am Ende des 19. Jahrhunderts ( Leipzig , 1898 ) ( 4 ) Ernst Kullak ( b Berlin , 22 Jan 1855 ; d Berlin , 1914 ) . Composer , son of ( 2 ) Adolph Kullak . He studied philosophy and philology in Berlin and Leipzig and received his musical education at his uncle's Neue Akademie der Tonkunst , where he then taught composi tion and the piano . BIBLIOGRAPHY 0. Reinsdorf : Theodor Kullak und seine Neue Akademie der Tonkunst ( Neusalz , 1870 ) H. Bischoff : Zur Erinnerung an Theodor Kullak ( Berlin , 1883 ) H. von Bülow : Briefe und Schriften , ed . M. von Bülow , iii ( Leipzig , 1896 ) H. Riemann : Präludien und Studien , iii ( Heilbronn , 1901 ) HORST LEUCHTMANN was he divorced in Sept 188 ? on Kullak . German family of musicians . ( 1 ) Theodor Kullak ( b Krotoschin ( now Krotoszyn , Poland ) , 12 Sept 1818 ; d Berlin , 1 March 1882 ) . Pian ist and teacher . Encouraged by Prince Radziwiłł he gave his first piano concert before the Prussian king in Berlin at the age of 11. In 1837 , while reading medicine in Berlin , he studied music under W. J. A. Agthe , E. E. Taubert and Siegfried Dehn . In 1843 he completed his musical education in Vienna under Czerny , Sechter and Nicolai ; the following year he taught music to royalty and the aristocracy in Berlin and in 1846 was appointed pianist to the Prussian court . Together with Stern and Marx , he founded the conservatory ( later known as the Stern Conservatory ) in Berlin . He withdrew from the direction of this enterprise in 1855 ( to be succeeded by Bülow ) and founded the Neue Akademie der Tonkunst , which specialized in the training of pianists and soon became the largest private institute for musical educa tion in Germany ; towards the end of Kullak's life it numbered 100 teachers and 1100 pupils . His famous pupils included Hans Bischoff , Moritz Moszkowski and Xaver and Philipp Scharwenka . Among his vast num ber of piano compositions the most important are the studies ; his Schule des Oktavenspiels is still considered indispensable . After Liszt , with whom he was friendly terms , Kullak was one of the outstanding piano teachers of the 19th century . WORKS ( selected from 126 op . nos .; op . 111 used twice ) Pf : 2 études de concert , op.2 ( Berlin , c1840 ) ; Grande sonate , f , op . 7 ( Berlin , c1845 ) ; Symphonie de piano , op.27 ( Hamburg , c1848 ) ; Ballade , op.54 ( Leipzig , c1849 ) ; Lieder aus alter Zeit , op.80 ( Leipzig , c1853 ) , op.111 ( Leipzig , 1862 ) ; Im Mai , op.90 ( Berlin , c1855 ) ; Deutsche Volksweisen , op.111 ( Berlin , c1862 ) ; Scherzo , op . 125 ( Leipzig , c1873 ) ; edns./arrs . of works by Chopin , Schubert and others Pf methods : Schule des Oktavenspiels , op.48 ( Berlin , 1848 , 3/1877 ) ; Schule der Fingerübungen , op.61 ( Berlin , c1850 ) ; Ratschläge und Studien , op . 74 ( Berlin , c1852 ) ; Materialien für den Elementar Klavierunterricht ( Berlin , c1859 ) Other works : 2 Lieder , op.1 ( Berlin , c1840 ) ; Uno sguardo , arietta , op . 10 ( Berlin , c1845 ) ; Pf Conc . , c , op.55 ( Leipzig , c1850 ) ; Andante , op.70 , vn , pf ( Leipzig , c1850 ) ; 3 duos , op . 76 , vn , pf ( Leipzig , c1852 ) , collab . R. Wierst ; Pf Trio , e , op.77 ( Leipzig , 1853 ) ( 2 ) Adolph Kullak ( b Meseritz ( now Międzyrzecz , Poland ) , 23 Feb 1823 ; d Berlin , 25 Dec 1862 ) . Music critic , brother of ( 1 ) Theodor Kullak . He studied philosophy in Berlin and , at the same time , studied music with A. B. Marx . Through Marx , he became co editor of the Berliner Musikzeitung ; he also taught at his brother Theodor's Neue Akademie der Tonkunst . His writings on music and piano method , Die Ästhetik des Klavierspiels ( Berlin , 1861 ) , are still of value . ( 3 ) Franz Kullak ( b Berlin , 12 April 1844 ; d Berlin , 9 Dec 1913 ) . Piano teacher , son of ( 1 ) Theodor Kullak . He received his musical education at his father's Neue Akademie der Tonkunst and completed his studies in Paris under Wehle and Litolff . His career as a concert virtuoso was impeded by a nervous complaint , and he worked as a teacher at his father's academy , becoming its director after his father's death . In 1890 he was forced to close the academy for reasons of health ; in LUST ) Uclaunt ZÖLLNER , Heinrich ( b . Leipzig , July 4 , 1854 – d . Freiburg , May 4 , 1941 ) , German composer and teacher . In 1875–77 he studied at the Leipzig Conservatory and in 1878 became university music director at Dorpat . In 1885 he became conductor of the Cologne Männergesangverein , with which he toured Italy in 1889. He went to New York in 1890 to conduct the Deutscher Liederkranz there . In 1892 his cantata , Die neue Welt , for soprano and baritone soli , male chorus and orchestra won a prize at the Cleveland Sängerfest . He was called to Leipzig in 1898 to succeed Kretzschmar as university music director and conductor of the Paulinerchor , the university male chorus . In 1902 he followed Reinecke as teacher of composition at the Leipzig Conservatory and in 1903 became music editor of the Leip ziger Tageblatt . He was made Royal Professor in 1905. In 1907 he was called to Antwerp as first conductor of the Flemish Opera and in 1914 went to Freiburg , Brunswick . 11 He was the son of Carl Friedrich Zöllner , above . His works include : Operas : Frithjof ( 1884 ) ; Die lustigen Chinesinnen ( Cologne , 1886 ; New York ) ; Faust ( Munich , 1887 ) ; Matteo Falcone ( New York , 1894 ) ; Bei Sedan ( Leipzig , 1895 ) and Der Überfall ( Dresden , 1895 ) ; Das hölzerne Schwert ( Cassel , 1897 ) ; Die ver sunkene Glocke ( Berlin , 1899 ) ; Der Schützenkönig ( 1903 ) ; Zigeuner ( Stuttgart , 1912 ) . Choral Works : With Orchestra : Hunnenschlacht ; Luther , oratorio ( 1883 ) ; Columbus , for soli and male chorus ( Leipzig , 1886 ) ; Hymnus der Liebe , soli , mixed chorus ; König Sigurds Brautfahrt ; Die Meerfahrer ; Helden - Requiem ; Heerschau ; Bonifazius ; Babylon . Choral works with military band ; male choruses a cappella . For Orchestra : 5 Symphonies ; Op . 20 ; Op . 100 ; Op . 130 ; No. 4 in E Minor ( 1917 ) and No. 5 in D Minor ( 1928 ) ; episode , Sommerfahrt ; Wald phantasie ; Serenade for string orchestra and flute . ATTY Yn

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