Felix Cherniavsky - Maud Allan's Contemporries

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 920 51 2008-2-60.jpg
Maud Allan 920 51 2008-2-60.jpg
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Felix Cherniavsky - Maud Allan's Contemporries

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Maud Allan Research Collection
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London- 1908 New York 1910 Debuts In the Fall of 1908 Ruth St. Denis , Isadora Duncan and Maud Allan were playing in three separate London theatres all at the same time and with enough audience to go around . Ruth St. Denis La Scala Theatre Isadora Duncan Dancing Orpheus at the Duke of York Theatre Maud Allan was dancing the notorious ( and new version of Salome No dancer before Isadora had interpreted mime for concert performance rather than for a dance . -t is more than " possible " that Duncan was pushed toward using classical music by Maud Allan , who made her debut in 190 Ruth St. Denis had been featured at Victoria , Hammersmith in Gertrude Hoffmann's sequel to her Salome , a full scale imitation . from where she danced 1 " during her first New York season , Duncan was dancing with Walter Damrosch's orchestra , Loie Fuller was at the Met . , Genee at the New Amsterdam . Pavlova and Maude were soon to arrive . Maude's debut was on January 10 , 1910 , Pavlova's March 1 1910 Lincoln Kirstein , Dance , a Short History of classical and Theatrical Dancing . Loie Fuller ... helped Maud Allan when she ( Maud ) was unknown , and in 1902 she went out of her way to introduce Duncan to all the influential people she knew , especially in Vienna and England Walter Sorel , The Dancer's Image . " Family Tree " of Independent Dancers Maud Allan Enters Loie Fuller Kinch Beatty Duncan Dunham