Felix Cherniavsky - Cherniavsky Trio

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 757a 51 2008-1-39.jpg
Maud Allan 757a 51 2008-1-39.jpg
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Felix Cherniavsky - Cherniavsky Trio

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Maud Allan Research Collection
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년 sydney Morning Herald CHERNIAVSKY TRIO . 12 Mare [ 1924 P4 lan 1924 Say du HERNIAVSKY . 14 Me nomn 1924 Herald Tartini's conception of the theme of the “ Devil's Trill " bas technical difficulties 80 tremendous as to frighten off all violin players except those with a higbly developed tecb pique . It was Mr. Leo Cherniavsky's prin cipal solo in the Conservatorium Hall on Sat. urday night . Standing in the restricted area of Illumination . cast by a hanging light with a circular red shade , his shadow bovering hugely upon the curtains behind him , he treated the calm interludes and the bursts of wild glee allke with a full and confident tone . The long unaccompanied passage near the close was rendered with especial delicacy , and led to a clamour for encores . As on the opening night of the season , Mr. Jan Cherniarsky played a series of those Chopin pieces which lead themselves so well to his duid touch . The C sharp Nocturne was potable for its beautiful sustained cantabile , ending so fairy futterings up and down the keyboard . There were three Preludes the third , with its rushing bass ; the twenty - third , delightfully ethereal ; and the twenty - fourth , or " Blacksmith , " wbose bass was inspired with tromendous vigour . fhally , there was the Polonaise in A flat , whickets attempted by almost every visiting and locat planist , but is rarely heard with complete satistaction . Mr. Cherplavsky's was a masterly interpretation . The perfectly graduated crescendo from a dim hall of octaves to a tumult of mighty chords was a pure delight , and while in his climaxes be pounced upon his notes from a height of about 18 inches , there ' was never any idea of noise for its own sake . Mr. Mischel Cherniavsky played as his first collo solo Max Bruch's " Kol Nidrel , " which was chiefly interesting in the contrast bis treatment of it afforded with that of Jean Gerardy , ' who made it one of the principal features of his visft last year . Gerardy's 10 terpretation of the old Hebrew chant gripped the heart with its desolation of griet ; but Mr. Chernjavsky brings from his instrument a mes sage of comfort , not devoid of sadness , but hopeful of better days to come - o impres sion heightened by Mr. Jan Chornlavsky's subduing of the sombre plano part . These exalted strains were succeeded by Moszkow . ski's “ Guitere , " alternately coquettish and melancholy ; and Popper's “ Spinning Wheel . " The , principal ensemble was Arensky's trio in D minor , which contained an adaglo move mont notable for the ethereality of its far - off muted strains . There was also a highly coloured Romance by Rimsky - Korsakod and one of Griog ' . Norwegian Dances , both effec uvely arranged by the Cherniarsky brothers . The last concert of the series will be given to - morrow night . som . of the most ontroeing momento at last pight's concert arose from tho perform ance of the Mendelssoha " Trio for Pianoforte , Viollo , and Violoncello in C Minor , " berause therein Messrs . Jap , Leo , apd Mischel Cherniarsky , each of them a soloist of . high order , merged their individuality in a perfectly balanced foterpretation of the move . ment in haad . " This is pure music , " was the reflection of the crowded audience at the Conservatorium ; and . Indeed , there is in this ' early Victorian composer's style soothing flow of elevated melody whiteb is like balm to world - woro miuds , Moreover , there lo originality of lavention with it all , notably la the upisonal tbeme of the opening " Allegro energiso e con fuoco " in which the artista responded to the above direction by the free doro and spirit of their rendering . Tbo Andante began with a caressing pianissimo for the strings as an Introduction to a theme like a song for the twilight hour closing in an enchanted repose ; and the " Allegro appassionato " included a beautiful chorale in many settlags , during which phrases from the composer's " Lobesang " seemed to reach the ear . The dne rendering was followed by hearty recalls for the artists , resulting in the addition of Schubert's " Moment Musicale . " The first of the soloists to appear was Mis chel Chernlavsky , and it is to be boped that he will not make a custom of changing his programm . UDADDounced , whereby students , and others desirous of observing what is be for them , led astray . Samartini's Sonata , " and Piatti's " Air Basque " should have been played , instead of which the audi , ence heard Cui's " Cantabile , " Popper's “ Mazurka , " and a " Hungarian Czardas " by Fisher ! In the Arst the ' cellist revealed & honeyed sweetness of tone , lo the second his executive Anish in chromatic glissandos , and a mighty thrumming of plucked strings , WOD admiration , and in the third a characteristie theme was varied by the brilliancy of the variation . The encore was Salnt - Saens ' " Lo Cyge . " Mr. Jan Cherplaysky's most fag . cinating contribution was the Beethoven " An . dante in F Minor , " crowded with in Quances , and after a rendering of the List " Rhapsodie No. 6 , " which stirrel up enthul asm , be accepted a double encore , " The Nusi cal Bor " and Brahms ' " Little Waltz . " Mr. Leo Cherplavsky's noble breadth of tone was never better bestowed than on the Beethoven " Romance , " and the violinist presented the Vieuxtemps " Mazurkaa " ( the one distinguished ) by trumpet calls ) in the most spirited fashion , leading to another extra number . The Cherolavskys will give concerts at Now . castle to - night and Friday , with . return to tho Conservatorium on Saturday evening . & ro » 9 3 .