Felix Cherniavsky - Cherniavsky Trio

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 757a 51 2008-1-39.jpg
Maud Allan 757a 51 2008-1-39.jpg
(No description added)

Felix Cherniavsky - Cherniavsky Trio

Discover Placeholder
Description
The description of this Item
Collections
The collections that this item appears in.
Maud Allan Research Collection
Tags
Tag descriptions added by humans
Identified Objects
Description of the objects in this Item
Accession Number
DCD's accession number for this Item. It is the unique identifier.
51.2008-1-39
Original Filename
Extracted text
년 sydney Morning Herald CHERNIAVSKY TRIO . 12 Mare [ 1924 P4 lan 1924 Say du HERNIAVSKY . 14 Me nomn 1924 Herald Tartini's conception of the theme of the “ Devil's Trill " bas technical difficulties 80 tremendous as to frighten off all violin players except those with a higbly developed tecb pique . It was Mr. Leo Cherniavsky's prin cipal solo in the Conservatorium Hall on Sat. urday night . Standing in the restricted area of Illumination . cast by a hanging light with a circular red shade , his shadow bovering hugely upon the curtains behind him , he treated the calm interludes and the bursts of wild glee allke with a full and confident tone . The long unaccompanied passage near the close was rendered with especial delicacy , and led to a clamour for encores . As on the opening night of the season , Mr. Jan Cherniarsky played a series of those Chopin pieces which lead themselves so well to his duid touch . The C sharp Nocturne was potable for its beautiful sustained cantabile , ending so fairy futterings up and down the keyboard . There were three Preludes the third , with its rushing bass ; the twenty - third , delightfully ethereal ; and the twenty - fourth , or " Blacksmith , " wbose bass was inspired with tromendous vigour . fhally , there was the Polonaise in A flat , whickets attempted by almost every visiting and locat planist , but is rarely heard with complete satistaction . Mr. Cherplavsky's was a masterly interpretation . The perfectly graduated crescendo from a dim hall of octaves to a tumult of mighty chords was a pure delight , and while in his climaxes be pounced upon his notes from a height of about 18 inches , there ' was never any idea of noise for its own sake . Mr. Mischel Cherniavsky played as his first collo solo Max Bruch's " Kol Nidrel , " which was chiefly interesting in the contrast bis treatment of it afforded with that of Jean Gerardy , ' who made it one of the principal features of his visft last year . Gerardy's 10 terpretation of the old Hebrew chant gripped the heart with its desolation of griet ; but Mr. Chernjavsky brings from his instrument a mes sage of comfort , not devoid of sadness , but hopeful of better days to come - o impres sion heightened by Mr. Jan Chornlavsky's subduing of the sombre plano part . These exalted strains were succeeded by Moszkow . ski's “ Guitere , " alternately coquettish and melancholy ; and Popper's “ Spinning Wheel . " The , principal ensemble was Arensky's trio in D minor , which contained an adaglo move mont notable for the ethereality of its far - off muted strains . There was also a highly coloured Romance by Rimsky - Korsakod and one of Griog ' . Norwegian Dances , both effec uvely arranged by the Cherniarsky brothers . The last concert of the series will be given to - morrow night . som . of the most ontroeing momento at last pight's concert arose from tho perform ance of the Mendelssoha " Trio for Pianoforte , Viollo , and Violoncello in C Minor , " berause therein Messrs . Jap , Leo , apd Mischel Cherniarsky , each of them a soloist of . high order , merged their individuality in a perfectly balanced foterpretation of the move . ment in haad . " This is pure music , " was the reflection of the crowded audience at the Conservatorium ; and . Indeed , there is in this ' early Victorian composer's style soothing flow of elevated melody whiteb is like balm to world - woro miuds , Moreover , there lo originality of lavention with it all , notably la the upisonal tbeme of the opening " Allegro energiso e con fuoco " in which the artista responded to the above direction by the free doro and spirit of their rendering . Tbo Andante began with a caressing pianissimo for the strings as an Introduction to a theme like a song for the twilight hour closing in an enchanted repose ; and the " Allegro appassionato " included a beautiful chorale in many settlags , during which phrases from the composer's " Lobesang " seemed to reach the ear . The dne rendering was followed by hearty recalls for the artists , resulting in the addition of Schubert's " Moment Musicale . " The first of the soloists to appear was Mis chel Chernlavsky , and it is to be boped that he will not make a custom of changing his programm . UDADDounced , whereby students , and others desirous of observing what is be for them , led astray . Samartini's Sonata , " and Piatti's " Air Basque " should have been played , instead of which the audi , ence heard Cui's " Cantabile , " Popper's “ Mazurka , " and a " Hungarian Czardas " by Fisher ! In the Arst the ' cellist revealed & honeyed sweetness of tone , lo the second his executive Anish in chromatic glissandos , and a mighty thrumming of plucked strings , WOD admiration , and in the third a characteristie theme was varied by the brilliancy of the variation . The encore was Salnt - Saens ' " Lo Cyge . " Mr. Jan Cherplaysky's most fag . cinating contribution was the Beethoven " An . dante in F Minor , " crowded with in Quances , and after a rendering of the List " Rhapsodie No. 6 , " which stirrel up enthul asm , be accepted a double encore , " The Nusi cal Bor " and Brahms ' " Little Waltz . " Mr. Leo Cherplavsky's noble breadth of tone was never better bestowed than on the Beethoven " Romance , " and the violinist presented the Vieuxtemps " Mazurkaa " ( the one distinguished ) by trumpet calls ) in the most spirited fashion , leading to another extra number . The Cherolavskys will give concerts at Now . castle to - night and Friday , with . return to tho Conservatorium on Saturday evening . & ro » 9 3 .

Auto-generated content

Auto Tags
Tag descriptions added automatically
text newspaper black and white line drawing monochrome photography
Auto Objects
Auto-generated identification of objects in this Item
book
Auto Description
An autogenerated description of this Item
Text
Face count
Auto-generated number of faces in the Item
0