Felix Cherniavsky - Maud Allan Australia Tour 1914

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 695 51 2008-1-35.jpg
Maud Allan 695 51 2008-1-35.jpg
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Felix Cherniavsky - Maud Allan Australia Tour 1914

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Maud Allan Research Collection
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DI TITTY are The age more Bur IS mans 2 e line or Waiter , complete the cast , in which thrge people make dip the 2311311914e pay The CherniaVERY well AUDITORIUM - MAUD ALLAN . known in Australia , and they were in Mel bourne so recently that it is unnecessary On Saturday night at the Auditorium to deal with their work in detail . Leo , Miss Vaud Allan commenced ber farewell Jan and Mischel have their own strongly season in Melbourne . As before , she is as- marked personalities , and each of them sisted by the clever Cherniavsky brothers , tiates him from his brothers . It was due has some individual trait that differen . and the entertainment is one to which ail probably to the congenial who claim to be art lovers ( with or with roundings that their work was in every out just cause ) should find their way . case better than at the King's Theatre on The art of Maud Allan has received the occasion of Misa Allan's previous visit . acknowledgnient in every part of the In the theme and variations from Tschai . civilised world , and must ever attract those concert commenced , there were a few stra kowsky's Aminor trio , with which the who have an car for music , an eye for dent paesages in which vigor was over , beauty , or an appreciation of the poetic . done until it resulted in roughness , but Emotion exemplified in art by this was compensated by much delicate and the certain puise that finished playing , and the artiste were heart good performance , beats ily recalled for unfalteringly - whether the dium be color , Mischel Cherniavsky was encored for his sound . In some degree or another all people are excellently rendered cello solo Souvenir de conscious of this elementary truth , but in Spa ( Servais ) , as were also Jan and Leo degrees that vary considerably . To this for their respective solos the former play fact , probably , is due the fascination that Chopin , and the latter Max Bruch's Violin ing a Nocturne , Study and Polonaise by Vaud Allan's dancing tholds for those whose Concerto in G Minor . Jan's tone in the imagination is sufficiently sensitive to re somewhat noisy A flat Polonaise was oc spond to the genius that informs her every casionally a little wanting in beauty , but movement - phether such be dramatic purely rhythmie or poetically fanciful . his other work was most pratsworthy , Music / sprang both directly and indirectly certo with admirable restraint and warmth while the eldest brother played the Cons from the dance , and thus , when Maud Al lan reunites the two arts so long divided , of expression -- the slow movement being At the close of particularly well done . she is doing more significant work in the the performance Maud Allan received an worid then hy merely amueing a pleasure . loring public . So long have these arts . ovation There will be two performances on Wed heen separated that the very term " dance nesday , a fourth recital on Friday , and the music has become a term of musical re prouch ! To listen , for instance , to the place on Saturday night . A special word final appearance of Mand Allan will take characteristic strains of Grieg's music to ** Peer Gynt , " and to watch the Hecting must be devoted to Mr. Frank St. Leger emotions expressively portrayed , both by for his admirable accompanying , and also the facial expression and the seemingly | ing of all the dance music . to the Chemiaveky brothers for their play . spontaneous gesture of the dancer , is , to realise something of the truth that lies CINDERELLA . hidden in such a phrase as " the mystic rites of the dance . Grace and agility are two most excellent things - but to these AUDITORIUM - MAUD ALLAN AND Vand Allan adds a quality which , for want CHERNIAVSKYS . of a more definite word , we are content to A very large audience filled the Andi : call inspiration . " Her work is unique torium on Saturday evening to witness and illuminating . In the severest meaning hat was expected to be the last per of the word she is an artist and one to whom we pay ungrudging respect and ad . formatyce of Min Maud Allan's wedison in miration . The danee poems on Saturday Melbourne . The programme , both of muaj night included the aforementioned Grieg cal trios and polot by Leo , Jan and Mi Suite , a Chopin group . the Blue Danube chel Cherniaky , and dance by Maud Al ( Strauss ) , and , as encores , Mendelssohn's lan , was probably the most brillant che Spring Song , and numbers by Schubert and arties have yet given in this city . It Brahms . was with pleasure , therefore , that the audience , received the announcement from Mias Allan that she had been seked to return , and would therefore give three more performances in Velbourne on T day next Yednesday afternoon and Work nesday evening . Ou Saturday evening Mi Allan danced Cle Vabe Triati ( Sibeliu ) , the Barcarolle , three selections from the Came Fotoatte Suite of Techaikowsky , and the potrerful Vision of Satomes which probably the most impressive of her repe toire With his uenal brilliance of tech nique Leo Chernia al played the Violin Concerto No. 4 temps ) , and had to give four encores veiare the : andience would llohim to leave the stage . pianole Jan Cherniavský plaved Ches pin 3 Schein B flas minor and Polonaise in A male and Michel Chertavaly gave , by special request , two cello elechos from Popper The box plans for the three esta con terte ill be opened at Allan's this morn Thange ( Melbourne ) 4/1/1915 pa