Felix Cherniavsky - Maud Allan Australia Tour 1914

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 651 51 2008-1-35.jpg
Maud Allan 651 51 2008-1-35.jpg
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Felix Cherniavsky - Maud Allan Australia Tour 1914

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Maud Allan Research Collection
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51.2008-1-35
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Saturday incos , was Last night the brilliant first more in the press " may 22 , 1914 " The Press May 23 , 1914 ment of a Mendelssohn Trio headed MISS MAUD ALLAN AND again the programme , admirably played AMUSEMENTS . by the Cherniarsky constellation ; as an THE CHERNIAVSKYS . encore a spirited reading of a Hun FRIDAY garian Dance by Brahms . Miss Maud Last night Miss Maud Allan , ap MISS MAUD ALLAN AND THE 41 - had set herself an extremely diffi peared in many of her clever skotches CHERYLAVSKYS . sk in grouping together three of human emotions that had doon most Two movements of the remarkably Chopin is the poet in music admired during the wool , including clever Arensky Trio opened the pro no appeals pre - eminently to her Schubert's " By the Sea , " the A minor imagination . How she found , under his gramme of last night's performance at valso , the tbe Theatre Rosal , the beautiful Hungarian Moment inspiration , ever new and delightful Musical , " by Sobubert , Mondelssohn's " Elegio , " in which particularly the forms of mute appeal and espression , of " Spring Song , " and the “ Biro Dan graceful poses and charming evolutions , lovely tone of the Strad . ' cello was as ubo " value . Quito bom , and given with one with Mr Mischel Cherniavsky's ro it is impossible to describe comprehen the bighest art was the " Valso Triste , mantic conception , and the fiery Finale , sirely within a narrow space . The in a weird scene from an opera by all very artistically played by the three Sibelius . This is an outline of the terpretation of the weird " Funeral brothers . Then came Miss Marcb " was again a work of art of a Maud Allan's first number of the Grieg series , the days when she revelled in dance , story dying woman remombers high order . An unpromeditated inci the love - poem named " Erotic . " An and once more comes the longing for dent , namels , a miniature spowiall in almost spectral , ail - veiled virginal torm tiny flakes , proved for her a novel and stands motion.ess , indicating the un troops in , raluctantly whirling , about last round . Bow a throng of trends unpleasant sensation , dancing on the touched soul , slowiy unveiling and suc her in riotons prations , how the dios stage with unprotected bare feet . The cumbing to a firs : awakening that is almost severely pi esented with a blush ghastly chding bathed in Iurid tinta in an imaginary attempt , with the final group of Rubinstein's " Romance " ' and the famous " Valse Caprice , " pro and again mouestiy hidden . In " Little of colourVins Alan conveyed with Birds " she --- soemed to hear the all her resources in a picture of won vided again an alluring spectacle for songsters on every side , and the dorful realism that made a strong the eye , and treat for the car ; the ele " Poetic Tone Picture " fanci appeal . gance , beauty , and suppleness of her fully conveyed . Later in the The Cherniavskys were again greatly movements and steps , tbe undulations Chopin Studies the C. Minor , styled for admired , and Idaded with favours ty and grace of the body being perfectly the purpose " A Soul in Bondage , " the enthusiastic audience . “ matched and in complete harmony . seemed almost too long for the expreso they played two movements from a Together Not lass may one admiro her genius in son of a restricted sentiment , but the Mendelssohn trio and Vidor's " Beron evolving ever new and lovely ideas , and pretical suggestion made and carried ade ; " Mr Leo's soli were the Tanst presenting them in artistic designs . The our in regard to the G Flat Study , pre Fantasie , by Wieniawski , and the . light effects in the laiter two were very sented again a wholly charming picture , hyper - sentimental " Immagination , " by the graceful movements accompanying Zacharewitsch : Mr Jan , the 6th Hun three brothers proved themselres it light and airy , as if on wings . Her carian Rbapsodie , by Juisar . Chopin , gain , one and all , fine artists , • Jr final appearance , in which the “ Bar- and Godard Mischel played the beautiful " Summers " Mazurkas , " apd carolle from the Tales of Hoffman " Chopin prelude ; and Mr Mischel , a Wight , " by Suizer , Davidoff's " At the Fountain , and a Gavotte br Popper and Chopin's Nocturne " in F sharp cluster of pieces of Popper's fancy and by in e finished and expressive manner ; were repeated , brought as a novel and Saint - Saëns's Swan . With Mr. Sir Jap gare a poetic illustration of exquisite feature a sparkling and way : Prank St. Leger alertls at his post as Chopin's Nocturne in E. , " a brilliant ward " Norwegian Dance " by Grieg in painstaking accompanist . one of Schubert - Tausig's " Jarcbe Vili . graceful and , later on , passionate de : There is only one more opportunity of seeing and hearing this interesting taire , " and finished with the power . lineation of the idea embodied in it . fully played Rachmaninoff " Prelude , ' ' Mr Mischel played emotionally the ani ! very able combination of artists whilst Mr Leo coniributed in fine style fine Cantabile " by Cui , " Arlequin , " by ar the matinéo arranged for this after az . a melanchols production by Tschai - Popper , so far the cleverest number kowsky , who hardly needed to make 1 from the pen of the now departed fam MISS MAUD ALLAN AND THE Melancholy a special subject ; a fas- one ' cello virtuoso , with appropriate CHERITAVSKIS . cinating and clever version of the spirit and the musically rather shallow sparkling " Polonaise " bs Wieniawsky , Broken Melody " of van Biene's . The by Miss Maud Allan and the Chernia . ** and responded to a double encore br impassioned " Ballad ” in G minor , by skys made their last appearance at a Larghetto of Weber - Kreissler . Mr Chopin , was impetuou ; end brilliantly matines on Saturday afternoon , in 100 Frank St. Leger made a sympathetic given by Mr Jan , who , as an encore , presence of a fairly large audience . In ard discreet accompanist . Votwith- added the E minor Valse by the same Miss Allan's progran ne figured prom sta : ding the abominalile weather , there composer in the proper capricious style . inently two dances by eethoven , espe was a very fair and most enthusiastic Mr Leo's reading of two movements cially the second , name + " Bachanal , audace . from Max B.uch's very attractive Vio- charmed by the perfection with which lin Concerto , proved him to be a vir- she executed the wild rything , and the Miss Vand Allan's dances for the tuoso in the best sense of the word , dis- Peer Grot " suite stood on he same areprug's programme will be : - " Am tinguished by an admirable self - control high level as before as one of h . Meer " ( Schubert - Lisat ) , Valse in 0 and a fine musical sense . As encores best sharp minor , op . 64 ( Chopin ) . " Moment The Cherniarskys contributed again were contributed , the piayful " Humo Musical . " op 94. No. 3 ( Schubert ) , reske , " by Dvorak , and a theme by their full share , the most interesting " Spring Song " ? ( illeudelssohn ) , “ Valse Corelli , with rather too modern , though numbers being two morements from Try " ( Sibelius ) , and the " Bitid clever variations by Kreissler , excel . Mendelssohn's violin concerto , played by D be " Valse ( J. Strauss ) . The Mr lentis performed . Mr Frank St. Leger Hr Leo , and a brilliant extract form . Tschaikowsky's opera , Chiavskys will play Mendelssohn's Eugene One second trio for piano . riolin and ' cello ; was as usual a painstaking and satisfy quin , " arranged for piano , played by audience was Ir Leo also performins Wieniawsky's ing accompanist . The Mr Jan. Like many artists hefore , " Faust Fantasia , " Mr Jau giring large and highly appreciative . they all complained bitteris of the icy Liszt's sixtb " Hungarian Rhapsody , atmosphere to be endured on the stage and Mr Mischel two piecos on the ' cello of the Theatre Roral . I think , 1 by Popper , " Wie einst in Schöner'n knor , now , where tour trozen mutton comes from , " remarked Miss Allan . Christchurch A2 Friday 9 ) . Not Tugen " and " Papillon , " The Press2 / 5714 국지 5 penes so 10 Jan clear )

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