Felix Cherniavsky - Maud Allan Australia Tour 1914

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 642 51 2008-1-35.jpg
Maud Allan 642 51 2008-1-35.jpg
(No description added)

Felix Cherniavsky - Maud Allan Australia Tour 1914

Discover Placeholder
Description
The description of this Item
Collections
The collections that this item appears in.
Maud Allan Research Collection
Tags
Tag descriptions added by humans
Identified Objects
Description of the objects in this Item

Auto-generated content

Auto Tags
Tag descriptions added automatically
text photo
Auto Objects
Auto-generated identification of objects in this Item
Auto Description
An autogenerated description of this Item
Text
Face count
Auto-generated number of faces in the Item
0
Accession Number
DCD's accession number for this Item. It is the unique identifier.
51.2008-1-35
Original Filename
Extracted text
( 1 ) April 14/1914 ( DUNEDIN ) OTAGO DAILY TIMES MISS MAUD ALLANES 4249 - Ave 3 ) Of Mondas OTD April 20 27 nieance . April 20 1914 encore a a AMUSEMENTS in a THE VIUDILI IN SEISIIN . Visitunar a SHE !! k ! ta Majesty's Tratro a 12 . et dr . T. receptoit coorden , tati 1111ther ' . pristol . Uit Mrk . 111 1'11 ** : nerells Sanitarit , and rum.LI ! Teri . 1 !! . : n tapeti od 11x 1 !!!! hond ui IRIS ביז'אווי on 11 one . 1 The Cherniavskys in addition to render ing all the dance music in a manner that won the unstinted admirat : on of the audi A CONVINCING ARTIST ence , were again heard to admirable ad vantage in their instrumental solo work . Mr To seo Miss Maud Allan's landing in ono Leo Cherniavsky gave with adm rable de programme is to want to see it in another , votional feeling and breadth of tone Schu and yet another . The moods which she bert's Maria , " with Sarasate's introduces are infectious , and her versatility Spanish Dance to follow , the latter a --the variety of her methods of expression fcat ot execut.on that elicted a double en keeps satiety far distant . The second ap . core , the additional numbers given by the pearance this gifted artist violinist being Dvorak's His at humoreske . " Majesty's Theatre aroused in her audience and a very charming " Larghetto ( Weber an enthusiasm which one quite expects to Kreisler ) : Mr Jan Cherniavsky's interpre see even more pronounced the season tation of the Verdi - Liszt " Rigoletto ” was advances . The comparative Lumalty of the characterised by both vigour and brilliance , dancer's performance is the more gratifying the pianist giving as a recall item the popu in that it is the novelty of a development lar Paderewsky Minuet . Mr Mischel Cher of perfect art on lines of which the local navsky greatly pleased the audience with stage has hitherto had practically no cog his rendering of the ' cello pieces - Vito , " by The interpretative dancing of Miss Popper , and a Scherzo by Van Goens , Maud Allan is quite the most captivating in both of which he revealed himself to bé and inspiring form of expression in move most skilled executant . As an ment given to music that a local audience number he guve Gavotte by Popper . has ever had placed betore it . In compari . The brothers were heard further son with it the ordinary familiar style of very pleasing trio , by the seldom heard dancing seems stereotyped and insipid . Only composer Bache , which thoroughly repaid . consummate artist could atteinpt what acquaintance , the suave and melod : ous first Miss Maud Allan achieves ; but the sucecss - movement contrasting with its fugitive suc ful reaching after such effects is , on that sessor . Mr Frank St. Leger did excellent account , rendered the more rare and con- work as accompanist . vincing . The programme presented last Miss Maud Allan and the Cherniavskys avening , practically an entire change , was appear agan this evening , for which an . particularly calculated to be attractive in other attractive programe is announced . its brightness , and revealed the dancer in new and delightful moods . The stage pic ture upon which the curtain rose for her interpretation of the Schubert - Liszt " Am MISS MAUD ALLAN AND THE Meer " was a remarkably effective piece of CHERNIAVSKYS . colour - blending , and the dance itself quite Miss Maud Allan is definitely announced a little tone poem . snbdued , and full of to appear again on Saturday evening , when eloquent languor . The succeeding valse she will give her third and final performance not serious , in A minor ( Op . 34 ) of Chopin , a favourite in Duncdin . lier injury was among di series that have been described but , the management states , had she not as dances of the soul , and not of the body , acted on the advice of her medical atten brought measured gaiety and the daintiest dant and at once rested after the discovery grace of movement once more to the fore . that a muscle was strained , the probabilities The dancer next gave the “ Spring Song " are that the consequences would have been with all her previous success , relapsing there awkward . Miss Allan has only once before after , to the infinite delight of the audience , met with a similar mishap . This was It into the jubilant abandon of Schubert's the opening night of her Indian tour . Moment Musical , " the freedom of move was in the first dance at Bombay . and ment characteristic of which no Bacchante rather than disappoint the crowded audience surely ever excelled . But the great feature the lady struggled through the programme . of the programme was Grieg's suite , illus- satisfying many demands for encores , but trative of " Peer Gynt . " The " Morning collansing at the close of the performance Mood ” was purely poetical , the dancer a from the pain she had undergone in the spirit of the dawn or piping shepherdess , or ordeal . The result was that the medical whatever lightsome nymph the music sug attendant who was called in forbade her to gestod . In heavy contrast canie the scene dance for a time , and six weeks ' enforced depicting the death of Ase , Peer Gynt's idleness followed . The Calcutta sason and mother . Appropriately garked , the dancer , the rest of the Far East engagements were to the accompaniment of the solemn music , carried out without interruption . Needless gave a inost dramatic interpretation , ending to say , in the face of her Bombay leeson , in a tragic climax which held the audience it would have been too risky for Miss Allan spellbound . Miss Maud Allan is , of to disregard her medical advice . The rest course , most accomplished act has proved beneficial , and the dancer is Next followed the captivating progressing most favourably . For the con Dance of Anitra , the Arab maiden whose dusky charms impress Ibsen's imaginative cert on Saturday night a most interesting Miss Allan's hero to his own undoing . The dance was programme is announced . items will be : thoroughly characteristic and fascinating in ( By the Sea ) , Am Meer >> its alluring rhythm . It gave place to the Schubert ; “ Little Birds , " Grieg ; “ Moment thriii Musical , " Dance Picture , the Grieg ; Gnomes , beset Funeral March , " who Chopin ; Schubert ; Peer Gynt the in Barcarolle , " from “ Tales of Hoffmann , ' gave particularly quarter or hour . Offenbach ; " Nocturne ” ( Op . 15 , No. 2 ) ; 10 say Danco M.SS No. 2 , " Allan's Chopin ; interpretation Norwegian of This exc.t.ng episode ustonishing is Grieg . The Cherniavskys will play buiow inark . 1ne vigour , in D minor , " Arensky ; pianoforte solo ( Jan abandoli , and ver.s.u.tude with which she Cherniavsky ) , “ Hungarian Rhapsodie No. conveyed idea of the Tuckless Peer 6 , " Liszt ; violin solo ( Leo Cherniavsky ) , Gynt leaping and wr.thing to escape the Faust Fantasie , ” Wienawsky ; ' cello solos " Cantabile , " ( Mischel Chernavsky ) , " 0 . puuchings aliu bitings or the venomous little people ul ne urops exhausted to the earth Cui , " " Arlequin , " Popper . All the inueio a remarkable descripūve effort , and for Miss Allan will be played by these great quite a new serisat.on . ss Maud Allan's musicians . unal proglamme contribution was strauss's Blue Danube Waltz , the hackneyed music of which did not in the least prevent this number being among the most popu . lar of ner selections , s.nce it affords abun . MISS VIUD ALLES AND THE dant opportunities 1or the light and alluring 15 APLIG CHERNIAUSKYS ONT movement and posture in which the artist Visi Maud Allan is announced to make so gracefully exoels , while presenting along her last appearance at His Majesty's Theatre voluptuous i.nes an abundance of light and this evening The programine arranged is Imperatively recalled , Miss Allan one of fine promise , and should present the gave the aenghtiul ittle valse by Brahms , esant daries and the brilliant musicians at their best 11 the music for li Alları which is in its way quite one of the gems other repertoire will be played by the ( herniawski whes in addition , will render a trio number , violin collo , and pianoforte selos . The comment of Saturday and Monday proved that the combination Cul present an entertainment that is not likely to be rivalled locally for mal Seas 17 . Miss Stand Than has started ! in her türbala mr of acne sementen On can imagine sur lang interpretations have been throuzout The pitome office and 11 jarring not has marted their arust .. who has thrown RW and captivating lint th .. possibilities of expressing tot misle in terms of rhythmical , por nariknions , anal friqueuty highl : dramat movement . The final programm Win ellent Miss Manu Allan butions included xhubert's " Im Ver striking study on subdued lines ; " Litt : Birds . it composition by Creik prinsed with the daint est grace posible : ume ! sing Tone l'icture , " by the same poser : the suberant Woment Musical . " Schubert : and the tragie " Funeral Warch " of Chonin , which have tanhid Among her previous conspicuous suprasti popular Barcarolle . " bu Ofenbach I hopin's Voxturne ( Op . 15 , No. 2 ) , which in the realisation of a most potic * tion , ranks with His Man's finert forts : and a mont takins Norwegian Dance " by Grieg . The delightul series constituting the artist's inal contributions around treat enthusiasm in the audience , which onli luctantly permitted the dancer to make her final box after she had responded to double recall . The Chernia vekss , lo usual . figured importantly on programme They render a trio in 1 minor by the ! Russian composer Trensky , and , in aktion to the dance mizic , solo items of Skull merit . Mr Jan ( hernavsky was heari in brilliantly.crouteal interpretation Liszt's " Ilungarian : Rhapsodir No. 6 . !! Paderewski's linnet recall it . Mr Lro Cherniarsky again demonstrated his trohnical matery of the Wienaaky's " Faust " fantasia respouding to the inevitable recall with a charming cept from " The Herods " ( Zachariwiter ! ) . 11 Mischel Cherniarsky's cello contri butions were as usual , idmirable in the finish . bring i * ( intabile , " by the Russian composer Cesar ( ' ui ; " Arlequin , " by Pop por ; and , as an extra item , " La Cine , & tress . 1 5 4 . 1 Tono C G ΟΙ the OL moun and him a tain ca taat an « ** Trio was to come the 111 tie 46 Wils Crea of Time 7414 bis saint car . T 660 Dcy Tunes 20 Aplica PRINCESS THEATRE . shade . 5 Xerox 10 Jan ATTATIT