Felix Cherniavsky - News Clippings 1930s & 1940s

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 606a 51 2008-1-32.jpg
Maud Allan 606a 51 2008-1-32.jpg
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Felix Cherniavsky - News Clippings 1930s & 1940s

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Maud Allan Research Collection
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51.2008-1-32
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Ivor Dent defe . Bemori hondon 1936 ( Among the Weimar pupils of 1901 was Maud Allan . Busoni soon discovered that her real talent was for the dance ; it was he who first suggested to her that she should become a dancer . One day in Berlin they cleared a space in his music - room ; Gerda dressed her up in a costume improvised on the spur of the moment and she made her first experiments in interpretative dancing to Ferruccio's accompaniment at the pianoforte . For her it was the pre lude to a distinguished stage career , for Gerda and Fer ruccio the beginning of a life - long friendship . 1901 Lefop.126 Busoni held two more Meisterklassen in later years - mat Vienna in 1908 and at Basle in 1910 - but both in his own memory and in that of his pupils the Weimar classes stood out as a unique experience . Not all of the Weimar pupils were to rise to fame - some indeed were eventually to abandon all hope of it . But distinguished or undis tinguished , fortunate or unfortunate , they were all to enjoy his friendship and the never - fading radiance of his inspiring personality . At thirty - five he was in the full flush of health het ato Ernst Eulenburg 48 Great Marlbercryl hondon sr wiV ZBN Repent antheuzed by oup and other Research Plake all MC The Meisterklasse af Wamar 1900 From a plato March took him back to England . To encourage Maud Allan , who was rather depressed at the moment , he sketched a ballet for her -- a sort of dance of death , ending with a scene before an altar with angels and Death himself . The music was apparently to be patched up from various sources -- but I have no stuff for the temple scene : that is what composers call oratorio ( it's English , you know ) . ' " p . 201 like 1913 by o to Hofman Werner 1900 * UIVII . I there a Phone of He was in bad health and exhausted with work ; he found rest and comfort at Maud Allan's house in Regent's Park , where he remained inaccessible to all but intimate friends . His agent was told to keep his address a secret , and this caused some difficulty with the Philharmonic Society , which had proposed to perform a work of his . Busoni offered them the Fantasia Contrappuntistica , which had been orchestrated for him by Stock of Chicago . The Fantasia was composed , as Busoni stated openly in print , simply as a piece of music -- without any consideration for the instrument on which it was to be played . Busoni himself published it as a pianoforte solo , in which form it is hardly playable , and as a duet for two pianofortes . Middelschulte arranged it for the organ and Stock for orchestra , The Philharmonic directors were quite ignorant of all this , and Busoni never thought it necessary to en lighten them . P.199 ( 1913 ) Life 8 1901 Mester klasse def so , where A dhe 1 that starta EX I von Dent , life 7 Brusons ( honden 1956 )

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