By Invitation Only: Dance, Confederation and Reconciliation exhibit

Added 18th Mar 2022 by Amy Bowring / Last update 18th Mar 2022

IMG_0038.jpeg
IMG_0038.jpeg
(No description added)

By Invitation Only: Dance, Confederation and Reconciliation exhibit

Discover Placeholder
Description
The description of this Item
By Invitation Only: Dance, Confederation and Reconciliation exhibit photos
Curators: Amy Bowring, Troy Emery Twigg

Contemporary Indigenous Artists gallery

Panel Text:
"My people will sleep for one hundred years, but when they awake, it will be the artists who give them their spirit back." - Louis Riel, July 4, 1885

INDIGENOUS DANCE IN THE 21st CENTURY
Government attempts to eliminate dance from Indigenous life ultimately failed. Today, Indigenous dance artists living in what is now Canada are a vital group of explorers and storytellers who not only tread in the footsteps of their ancestors but are also developing new movement languages to investigate and reflect themes, issues and stories of who they are as artists and the nations they represent. In this portrait gallery we present a small sample of artists from different Indigenous nations whose every footfall tramples on the legacy of the Indian Agents who tried to stop the dance.

View PDF for artist bios

Photos: DCD
Collections
The collections that this item appears in.
By Invitation Only: Dance, Confederation and Reconciliation exhibit Troy Emery Twigg - June 29, 2021 Presentation
Tags
Tag descriptions added by humans
Identified Objects
Description of the objects in this Item

Auto-generated content

Auto Tags
Tag descriptions added automatically
art text book photo
Auto Objects
Auto-generated identification of objects in this Item
Office supplies book
Auto Description
An autogenerated description of this Item
Qr code
Face count
Auto-generated number of faces in the Item
0
Accession Number
DCD's accession number for this Item. It is the unique identifier.
Original Filename
Extracted text
My people will sleep for one hunched your , but when they awake , it will be the artists who givet them their spüil back . Louis Riel , July 4 , 255 INDIGENOUS DANCE IN THE 21st CENTURY Government attempts to eliminate dance from Indigenous life ultimately failed . Today , Indigenous dance artists living in what is now Canada are a vital group of explorers and storytellers who not only tread in the footsteps of their ancestors but are also developing new movement languages to investigate and reflect themes , issues and stories of who they are as artists and the nations they represent . In this portrait gallery we present a small sample of artists from different Indigenous nations whose every footfall tramples on the legacy of the Indian Agents who tried to stop the dance . Top row , left to right Michael Greyeyes Photo : Jeremy Mimnagh courtesy of Michael Greyeyes Michael Greyeyes ( Plains Cree ) is an actor , choreographer , director and educator . Selected directing credits include : Pimooteewin ( The Journey ) , the first Cree language opera with libretto by Tomson Highway for Soundstreams : Almighty Voice and his wife ( Native Earth Performing Arts ) : The River ( Nakai Theatre ) ; and Seven Seconds ( 2010 imagineNATIVE Film + Media Arts Festival ) . In 2010 , he founded Signal Theatre and in 2011 premiered a new full - length dance theatre work , from thine eyes ( Enwave Theatre ) . In 2013 , he created a new work for Signal , Nöhkom ( ' my grandmother ' in Cree ) that dramatized the experiences of his paternal grandmother during the Great Depression . Signal was commissioned to create A Soldier's Tale for the 2014 Canada Dance Festival at the National Arts Centre in Ottawa and , in 2017 , premiered a major new dance opera , Bearing , for the Luminato Festival in Toronto . He is an Associate Professor in the Theatre Department at York University , where he teaches devised theatre , Professor Greyeyes is published in the Canadian Theatre Review , Theatre Research in Canada , and Performing Indigeneity : New Essays on Canadian Theatre , Vol . 5 . Brian Solomon Photo : Ken Ewen , courtesy of Brian Solomon Multiple Dora and Gemini Award nominated Brian Solomon is of Anishnaabe and Irish descent , from the Northern Ontario community Shebahonaning - Killarney Solomon is a graduate of the School of Toronto Dance Theatre , and has an MA in Performance from the Laban Center ( UK ) . He has presented his multidisciplinary works across Canada , Berlin , Ingolstadt . Bamberg , Seville , Edinburgh , Amsterdam and London . Solomon has performed for a multitude of companies and creators from Canada , the USA and Europe . He has taught for many arts institutions and companies , including one of Europe's foremost universities for acting . H.F.S. Ernst Busch , Berlin Marcus Merasty Photo courtesy of Marcus Merasty Marcus Merasty is from the Northern community of Pelican Narrows , Saskatchewan and is of Cree decent , or Assin'skowitiniwak , meaning " people of the rocky area " . His interest in dance began at the age of 19 after learning traditional Métis jigging . In 2014 he decided to pursue a career as a contemporary dance artist after working on the " Buffalo Pound Round Dance " with New Dance Horizons , a community - based project that explores the relationships between cultural narratives and contemporary art forms . Since then he has trained in theatre with Gordon Tootoosis Nikänlwin Theatre , participated in the Indigenous Dance Residency at The Banff Centre , and performed in the Coastal First Nations Dance Festival in Vancouver . Marcus is currently in the Professional Program of The School of Contemporary Dancers ( Winnipeg ) , where he will work towards his BA ( Hons ) in contemporary dance . Margaret Grenier Photo : Chris Randle , courtesy of Margaret Grenier Margaret Grenier is of Gibsan and Cree ancestry . She is the Executive and Artistic Director for the Dancers of Damelahamid . She choreographed and produced the full - length works Setting the Path ( 2004 ) and Sharing the Spirit ( 2007 ) , which toured internationally to New Zealand in 2008 and the 2010 World Expo in Shanghai , China . Margaret choreographed and produced Visitors Who Never Left in 2009 , Dancing our Stories in 2010. Spirit Transforming in 2012 , and Flicker in 2016. She has directed and produced the Coastal First Nations Dance Festival since 2008. Margaret holds a Masters of Arts in Arts Education from Simon Fraser University and was a sessional instructor at SFU in 2007 , and a faculty member for the Banff Centre Indigenous Dance Residency in 2013. She has developed programs for the Bill Reid Art Gallery as well as the HR MacMillan Space Centre Margaret presented at the World Indigenous Peoples Conference on Education on Aboriginal identity and dance in Australia in 2008 , Peru in 2011 , and Hawaii in 2015. She currently serves on the Executive Board of Directors for the Scotiabank Dance Centre and for the Canadian Dance Assembly Santee Smith Santte Smich in her work Neolndiger A / Photo : David Hou , courtesy of Santee Smith Tekaronhiahkhwa Santee Smith is a multi - disciplinary artist from the Kahnyen ' kehaka Nation , Turtle Clan , Six Nations of the Grand River . Santee completed six years at Canada's National Ballet School , Physical Education and Psychology degrees from McMaster University and a MA . in Dance from York University , Santee premiered her first work Kaho : wi - a family creation story in 2004 and one year later founded Kahawi Dance Theatre which she has grown into an internationally renowned company . Her body of work includes 12 productions and over Il short works . Other independent commissions include : National Arts Centre Orchestra's I Lost My Talk : Canadian Opera Company's Louis Riel : North American Indigenous Games , Inter - Hoop for Fall for Dance Nort , and her projects Sewatonhe ren and upcoming dance for film . She is the recipient of the KM Hunter Award : Victor Martyn Lynch - Staunton Award : John Hobday Award : Hamilton Music Award for Kahawi , Dora Mavor Moore Award for Outstanding Choreography in the Dance for Susuriwka - willow bridge , and a REVEAL Indigenous Arts Award . Santee is a sought - after teacher and speaker on Indigenous performance and culture . Her life and works have been the topic of TV and films including All Our Relations ; Moccasins and Concrete : An Urban Native Story and Kohawi - Cyde of Life . Bottom row , left to right Lara Kramer Photo : Sylvain Verstricht , courtesy of Lana Kramer Lara Kramer is the choreographer and artistic director of Lara Kramer Danse , based in Montreal . Lara is an Oji - Cree performer and choreographer whose work is intimately linked to memory and the effects of cultural genocide . Lara's work pushes the strength and fragility of the human spirit it is political and potent . She has been presented at The First Peoples Festival , Montreal ( 2009 ) : Festival Vue Sur la Reléve , Montreal ( 2010 ) The Talking Sucks Festival , Vancouver ( 2011 & 2013 ) : Canada Dance Festival , Ottawa ( 2017 & 2014 ) . The Banff Centre ( 2011 ) ; Harbourfront Centre , Toronto ( 2011 ) : Tangente , Montreal ( 2013 & 2015 ) Dancing on the Edge , Vancouver ( 2013 & 2014 ) ; New Dance Horizons , Regina ( 2014 ) , Alberta Aboriginal Arts , Edmonton ( 2014 ) : Expanse Movement Arts Festival , Edmonton ( 2015 ) : Native Earth Performing Arts , Toronto ( 2015 & 2016 ) . Espace Libre , Montreal ( 2016 ) ; Brown University , Providence , RI . USA ( 2016 ) ; and at YIRRAMBOL Melbourne , Australia ( 2017 ) Her work NGS ( " Native Girl Syndrome ) was commissioned by the Canada Dance Festival and received an award for audacity from the OFFTA ( 2014 ) . She has caught at the Indigenous Dance Residency at The Banff Centre as well as in London , Toronto , Montreal , Regina . Edmonton and Vancouver Middle row , left to right René Highway Photos Andrew Oxenham , Andrew Osentam Photo Collection Danse Collection Danse René Highway was born in 1954 on a remote reserve in northern Manitoba Of Cree descent , he was sent to a Catholic residential school at age five , followed by high school in Winnipeg He had been introduced to dance through school tours by Winnipeg's Contemporary Dancers . A performance by the Royal Winnipeg Ballet inspired René to up dancing himself . He began training at age 15 at the school of the Royal Winnipeg Balleche lied to his friends about this once a week class by selling them he was at the YMCA He moved to Toronto in the early 1970s and trained for three years at Toronto Dance Theatre before joining the company in 1976. He also began to choreograph his own work exploring his Indigenous ancestry at a time when this was uncommon . In 1978 he created Round Dance . Inspired by Indigenous dance for a Toronto Dance Theatre choreographic workshop . In the early 1980s he spent time teaching at the Indigenous theatre company Tukak ls Denmark , which further fired his desire to create and better unders and his own heritage . He frequently collaborated with his brother Tomson Highway on productions such as New Song New Dance ( 1982 ) , The Red Sisters ( 1985 ) and Dry Lips Ouphto Move to Kapuskasing ( 1989 ) Rend returned to Toronto Dance Theatre in 1984 at the request of Artistic Director Kenny Pearl while also maintaining a freelance career . Rene used the Idioms of modern dance to explore his ancestry while also developing a new movement vocabulary informed by the emersonal experiences of his childhood and youth . fane died in Toronto in 1990 but is remembered with fondness and respect by the dancers with whom he worked Yvonne Chartrand Yvonne Chartrand in her work Eagle Sport / Photo : Yvonne Chew , courtesy of Yvonne Chartrand Yvonne Chartrand is a choreographer and dancer as well as a national award winning master Métis jigger . Her Michit ( Meus ) ancestors come from St. Laurent , Manitoba . She is the Artistic Director of ni Danu , whose name translates as " Come and Dance " in Michif . As a contemporary dance choreographer she has conceptualized and co - choreographed company group works : A Poet and Prophet In 2003 inspired by the poetry and visions of Louis Riel , Gabriel Crossing in 2004 inspired by Madeleine and Gabriel Dumont during the Northwest Resistance and The Crossing in 2006 ( a dance trilog inspired by these earlier works ) , written and directed by Maria Campbell . The Crossing inspired two Artist and Community Collaboration Projects in Saskatoon with Maria Campbell , which included performances in July 2007 and 2008 at the Batoche National Historical Site of Canada . The 2008 Bacoche project received an award for creative excellence from Tourism Saskatchewan . Her first full length dance theatre work Cooking Re Up Mets , created for young audiences has toured extensively to schools throughout B.C. Her solo works include Morguerite , a solo that hendurs Metis women through an exploration of the life of Marguerite Monet dit Bellemeur , wife of Métie leader Louis Riel : Stories from St. Laurent Inspired by stories pathered from six Elders in her ancestral community of St. Laurent , Manitoba and Eagle Spirit , her most recent work , visiting universal themes of grie , death and rebirth . Eagle Spuit premiered in Vancouver last year ac V Dana's 11 Annual Louis Riel Day Celebration . Her commissioned solo Soro Ret The Long Journey was created by her choreographic mentor Robin Poitrus and Edward Poitras , and premiered in Regina in 2014 the work then toured to Edmonton and Winnipeg in 2016 Yvonne was awarded a 2011 Victor Martyn Lynch Staunton Award from the Canada Council for the Arts .