Felix Cherniavsky - News Clippings 1910s 1

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 491a 51 2008-1-30.jpg
Maud Allan 491a 51 2008-1-30.jpg
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Felix Cherniavsky - News Clippings 1910s 1

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Maud Allan Research Collection
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PLACE 111911 MIS TAULALLANS . - NO ALLAN . 11 , 1911 co ID 15 & 6 . * L from ONS There som a LECTIONS ON HER RETURN member - Acero back to the Palaco se , TO LONDON . enco ho veiconed 2 - S au anao the theatre of her phenomena tanko pessoat with number of bey dantes . Netes become has INSTER GAZETTE FED . 11,1911 body feelings och mingled trepidation and simp , this new work , el restrained end almost terday ai vennoon there must su . Alla has come to imman been of all curiosity whether the dancer who charmed all austere . Anvuhin polent in it would lrave seened Les se London tiking , and made that london a four seasons ago Fould shov ber as suarting as a splash of word paintang in Sonnocie Leon -- irroxlor report - under the self capable of residing the impressions The artistic simplity of it , its studied nirythms , dow of much oances have occasionally been beauty of movergent and sensuous charro of had the quality of Grook art . The curtain 106 eu expression which made of her performance Klaud Allan giadly who would make a thing individual an apart . Diss Alau de familias Bone , the green velvet curtains framing se much has happened Mand Alan created had not been long on the stage before all such a girl's form in Doric ehitou . Vi the Chopari isdees my bave subsisted on it . It remains doubts were resorved . She returns to us not where is no need to sport . How Miss A les can ep whether the public can discriminate , body and of gesture , but with the subtie din wit merries of joys pot slagether gian and anly with adóed grace and fine eloqnense of exposes that sad . vegue droan - world of Obopane ther they will now be oontent with beauty power of illustrating musie enbanded to a cortoms not el mourntal , is two well enougt . Hey have tastad sensation . remarkable degree . She seems to have After that came Sibelite's ** Dryad , " a delighted it will be realised nore easily pow - the widened the confine of her art , to have dance full of the beauty of the forest and swift and ct , the modeste and the ani si sincerity of learned how to give it still greater variety licht . When she came beri she was a child cartano and spirivality . Monotony is a word com Jan's work She was OK to set the pletely sacred frond one's thoughts in out to play . Berds sang to her eru inshed by , and which others live been allon er 10 cross . parehin the ever varsing charm of her she e as laughng with gay delight , and ran after see the test Those who desire the exotic mcrements . i id thing , indeed , so then trying to waoh them in tiny hands all ponder find Maud ilan to simple for them . Challenge criticism with a whole afternoon of and happiness . This book of wonder is one of her who we shoe beauty for beauty's sake classica dancing by the dancer , but Miss finest wouches . " The world is so full of a dir ber welcome to return with turc . That , at Allan never better stood the test than yester- of things I think we should all be as bapps te , was the impression of a Westminster day , and never better justified her place as cried the poot of the Child's Gardet . $ 2reme representative who was present yester exponent of this form of emotional expression . There was thus delicious naiveté of joy in the dance , 1. Palace Lueatre wb Maud Alan There were familiar and Dorel Teatures in and something mare , sonnoting of the frs the se ce ar public appearance in England since her ogranie , which rapuure of the youth of the world . Down from the er arricar and European tour . obviously but a selection will be possible woods to the seashore . From Grieg's * The Birde 1 : ** 525 though one had stepped back to at when she reappears in Mr. Burt's ordinary to Grieg's " Poetic Tone - l'ichnure . ” You will hard articularly fragrant moment many months ago , eremine entertainment next Mondar . But Beari “ the league - tongue roller thundermę o : the curtains were finng apart . There , ai and charm in realisation in the renderans , sapphire sen you have watched the spray for enter while triore was all the old beauty of idea toe reet , but if ss a boat drives on through fuck of the stage , one found the same slight one may use the expression , of valses by ng from ber bows and seen in a . innumerabie tai Soure , siiken and fascinating , standing Chopin and the Peer Gynt Suite of Grieg bows bover and break in a shower of colour , sou soit grey hangings , still , limp , lifeless . one of her earliest , as it is still one of her will know what the dance is like . z of Chopin began , plaintive and slow , and finest , sequence of dances , there were fresa valse of Brahms , and ihen the gay march morenent gure gradually and subtly came to life . delights of imagination and movement in ef Schubert's Moment Muicale . The dancer is a She come to life , and it was no longer a stage numbers by Sibelius , by Schubert , by Brahms , cuild still , a child pot quite sure that she is a op theatre , but a page out of mythology with and an a lesser degree by Claude Debussy , naughty , or would not like to be naughty . And the Dance Sacrée et Profane , ” of the happily , she soon decides that it would be delicious erer a human in vitr , -- simply one of the French com poser , Miss Maud Allan seemedium , and she gives every charming particle of berself des strayed from her fellows , palpitant with less able to give form and meaning to the po being naughty til she has had her fill and 1 lized lear and quickly - kindled joy and all music than in any other of ber efforts . It happily tired . The secrets of the woods the dew and the sky .. could not be said that the composition Te From the clear laughter of tuat it was a far cry There was much of Chopin and of Grieg as for- pealed the elnsive characteristics of Debussy , to Debusst's Danse Sacrée et Profane . But this o hely , but this time in place of the Saione as thel Te the dancer's " touch " was here at all things that we $ * was most purely Greek big achievement reakest . Nothing could well have exceeded Debussy's came The dance Violet purple light flooded the scene . Dansel the suggestion of timid elfin grave display used some violet draperies to either hand . bach et Profane . " And it turned out to be adin Sibelius'e " Dryad " zor the daunty beauty action in the slow rhythms is charged with religious natincent achievement , a performance which al- with which , in Grieg's " The Birds , there mat nade one believe that the dancer had im- vas conjured up & proture of nervous flutter in the old Greek phrase that the gods are envious A pagan religion indeed , a religion which holds srovd , had aequired an added dignity and a sub- ing things . The Brahms ' Valse in A flat the power o sell expression . Just where one was , was expressed in diminutive movements of erudging mortal men pleasure and happiness , and neginning to imagine that Maud Allan had reached laze utmost delicacy and simplicity , and taking vengeance on perosperity . But such the Gres Schubert's the brand of originality , that she had exhausted preted with a joyous prancing step , which gods were , thysterious dever to be trusted . From " Moment Musical ” was inder that grim note of mortal man bowing to hostile goes her capacity for interpretation , she appears with so delighted everyone that the performance tard the cold inhumanity of Necessity , the minaia behand then , come a chance is the mid or nos * performance the tremendous difficulties of which had to be repeated . o a festival , half savage or all savage , like the rese : has dared and overcome by the exercise of In the “ Peer Gynt " suite Mise Allan again the Dzonysia or Parnassus . For this al lav new ( and that apparently still but partly developed , made of Morning a radiant picture of melody behind the marble beauty of Greek life . Te talk or resive skill . and life ; in Åse's Death she repeated those Miss Maard Alla ' s recepumn is a were lerinality . . After this it would come only as a mild sur- emotions to an uncommon degree . At the gestures of poignant despair that move the Se of the loudes entusiasm . prise to hear that she contemplated dancing to a close there were many fional offerings to be vmphony ! For it is certainly the fact that Maud acknowledged . The recipient gave thanks in ilan becomes the music . With this lim tation : her own expressive language - she danced hat the imusic also becomes Maud Allan She is Mendelssohn's * Spring Song ” around the \ usic visualised , and the miracle is work with tributes to her art and her popularity . pparent naturalness and abandon tirat one it is but her interpretation and sarily the design of the composer . mong the many dancers in drapery Maud has made for herself a place that is beyond enge . And while there have been imitators can lich from her her own individual parti . and indescribable charm 6 ave . 1201 ant Establish the tempth " ) Mando ) regular propan The Palace т