Felix Cherniavsky - News Clippings 1910s 1

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 428 51 2008-1-30.jpg
Maud Allan 428 51 2008-1-30.jpg
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Felix Cherniavsky - News Clippings 1910s 1

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Maud Allan Research Collection
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23 din part , the Ger 20 Alan when she interpreted Grieg's " Peer Gynt " suite . The Musning , " she walked all rhythmical steps , for the second movement , " Ase's Death , " she appeared with MAUD ALLAN DANCES TO ROMANTIC MUSIC . a black Trapery over the lighter shade , and depicted with in Han , the American dancer whose triumphs which she ended by falling prostrate on the green carpeter strange and mysterious movements the tragic close of life , bave been widely heralded , made her New York Stage In the third part , “ Antra's Dance , " she revealed arnegie Hall , Thursday afternoon of last week wonderful grace and in the last part , " Dance of hi has youth , beauty and a moderately call and Gnomes , " she went through some amazing movements and y hastic llei fuce is most expressive and her grace stops , which ended in a whirling that resembled to some Spelling factor in winning the sympathy of au degree the dance of the Dervishes in the desert . 1 before she moves a limb on muscle . Last " Valse Tin sy she was greeted by an immense house . Danemg Chopin's " Marche Funebre " and Rubinstein's Caprice " completed Miss Allan's share in the program Many wonen of sociel are taking les E me the old art of graceful gestune and rhythmic There was altogether too much music between the dance yent and say what we will , it is a fashion to be el Bette have the audience sit in silence than 10 inlict such pagrid , for when women are interested in this form of an orchestra upon its attention . Is it was . The audience Whentains diy will forget about bridge whist and other did not regard the music with any seemmng respect , but tutta uue killers . The style of dancing of which Miss talked through it all when Miss Allan was nut on the What is shining exponent , calls for good music and thus stage . The performance of Saint - Saens ' * Ront d'Om tre combined to make women more graceful , phale ” by the orchestra suggested , instead of a spinning bijutented and artistic . wheel , i lot of buzz saws in operation . Ilan sa vi Carnegie Hall was cifectively draped in Saturday afternoon of this week , January 29 , Miss Ailan det into green . Up in the first and second tier will make her second New York appearance in the same ws , Hit the stage , calcium light perators assisted in hall , when she will dance to the music of Bach , Mendels Tung out just the proper shades as the lovely woman sohn , Schuman , Grieg , and the " Salom " dance of with through her dances . Unfortunately , Miss Allan was Strauss , which created a sensation in England as dance oled o dance to music that was not ideally played , but by her . 7. Kizal worries vor le proved so skultul and delightful that the Liebee urerloched the shortcomings . When the green Wie alted Miss Alla came before the foot tornih orun draped in filmy gray , at perceptible pastoration went through the house . The bare 1 portion of the shapely limbis exposed , only sug a creature of chaste type , mconscious of her HE MUSICAL LEADER AND CONCERT GOE MAUD ALLAN AT CARNEGIE HALL . sidance tu Rubinstein's " Melody " in F consisted vis vi graceful poses , and when she danced to the Lindemanats of the Chopin : waltz in i minor and two parkas , one in G sharp minor and one in B that het mumph was assured . Retreating back of the thewan appeared to dance her fourth number the Mendelssohn Spring Song " aud in in extraordinary exhibition of athletic ma de her feet , as it were with her willowy oct as if teaching sites the joyousness of which simbol slicht und original feat was given by Vist There is no death of dancing this season , and follow ing in the wake o Isadora Duncan , Los Fuller and her Muses , Ruth St Denis , Rita Sacchetto and several others , comes Maud Allan , she whose " Salome " dance brought down upon her the censure of the London press . And this censure has served her well , because in consequence there was not standing room at Carnegie Hall Thursday afternoon , when the dancer inade her appearance with Modest Altschaler and the Russian Syruphony Orchestad Before she had huished the first group of dalices , it was obvious that Miss Allan had won her audience and there was much enthusiasm and many encores were demanded of her . Miss Allan did nothing that has not been done be fore , but she was especially graceful and lithe , attractive of face and of form , and gracious as well as graceful . Mr. Altschuler provided an inspiring accompaniment and gave several excellent sections for orchestra . There was relief in the fact that Miss Allan did not reduce Beethoven to dance inusic , but no doubt she will do this , tuo , before her appearances are over . She danced to the music of Grieg's " Peer Gynt " suite , waltzes , mazurkas and etudes of Chopin , the Funeral Marc of Chopin and other nangic of similar nature . The audience demanded innupierdole encores and kept her until late iu the evening an u ughts were turned out before the audience was will to leave CLA opinion " ? ] & Jan 1910 * 7 Maud Allan and Winston Cell Miss Maud Allan , wlio 18 just about to make her first appearance as a - dancer in Ameria , have much to tell the interviewers concerning triumphs in England . She is sure not to forgot oue occasion . It was a luncheon party where she was seated next to Mr. Winston Churchill , who was -ather frigid towards her . The hostess noticed this , and afterwards remarked to Mr. Churchill that he had not seemed to make much progress with Miss Allan “ No , we have nothing in common , " said Mr. Churchill « Pardon me , " retortod Miss Allan , " there is one thing in common we were both rejected by Manchester . " 1910. Jan 27 1910