Felix Cherniavsky - News Clippings 1900s 2

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 392a 51 2008-1-29.jpg
Maud Allan 392a 51 2008-1-29.jpg
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Felix Cherniavsky - News Clippings 1900s 2

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Maud Allan Research Collection
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51.2008-1-29
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To b 1969 G Review o The Palace Theatre Feb 13 1909 Matinee Edited ] inasmuch as th " salome " dance was omitted on this oiccasion , there was nothing to call for anything but praise . A host of classical dancers have been seen here since O kje acame here . but Miss Allan has no rival in the purely musicL side of her art . She translated the music into steps which to the eye are the exact equivalent of the notes that reach the ear . It would be possible to imaginee the stage a vast keyboard from which the noites shouild be actually called forth fxoxxthxxkeyboarx by the skilfull feet.and for the first time it would be easy for a deaf person to to realize what a composer meant by his unheard strains . It is a joyuful experience to see Miss Allan dance a phrase that first appoears in the major and then in the minor , for she makes the one phrase of her dance repeat the other , yet with the flitting change of aspect that must have beeen in the musician's mind . This was particularly beautiful in more than pon movement ofGrieg's first Peer Gynt suite , in whicjh Anitra's dance " was the most charming of the sections . " AAse's Death " was a study of mournful poses , better thought out thn the Chopin funeral March of some months ago . And in the difficult finale of the Suite the suggestion of a gnome was given without any unsuitABLE TOUCH OF THE GROTESQUE . The bacchanal ending of this movement , too , was a piece of the most finished art . The Arabian dance from the Casee Noisette suite consisted žrincipally of the sinuous movements of the arms in which Miss Allana excels ; the Passepied from Le Roi s'amuse of Delius was a delicious little poem , and even trumpery little thing like Rubinstein's Melody in F Greg a

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