Felix Cherniavsky - News Clippings 1900s 2

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 380a 51 2008-1-29.jpg
Maud Allan 380a 51 2008-1-29.jpg
(No description added)

Felix Cherniavsky - News Clippings 1900s 2

Discover Placeholder
Description
The description of this Item
Collections
The collections that this item appears in.
Maud Allan Research Collection
Tags
Tag descriptions added by humans
Identified Objects
Description of the objects in this Item
Accession Number
DCD's accession number for this Item. It is the unique identifier.
51.2008-1-29
Original Filename
Extracted text
/ Dancing is Only an Expression of Life Miss Maud Allan , the Canadian Girl , Speaks of Her Work and Says There are Many who Wilfully Misconstrue her Innocent Salome Dance - How she Regards her work and the Methods That she Adopts . M ISS MAUD ALLAN , the Canadia1 ing - room , nor the pirouetting on one toe girl who has created such a sen- of an Austrian ballerina . Such dancing sation in London by her marvel- as that is not the expression of an im lpus dancing and is expected to appear mortal soul stirred by all the mystery of in New York this month , in speaking of existence , tortured , as was Salome's soul her work in a recent interview , says : by the tragedy of her sin . Dancing is " My dancing is , as it were a continua- only an expression of life . People to tion from where the ancient Greeks left day never appear to me to possess the off and by combining our modern music idea of what life really is . It isn't giving I with their movements I attempt to put way to the desires of the flesh ; it means into the rhythm of the dance something being one's own controller , influenced of the thought of to - day . You see , my only by the very few . And to so influence dances depend entirely on the music , people for their good is the only true and just as the arches and the columns kingship . I would sooner be the power I of a great temple vibrate to the chords behind the throne than the king upon it . of the organ , so does my soul vibrate to " But do you know what was the most the music of my dances . I know noth- exciting dance I ever danced ? One morn ing of the technique of dancing , and the ing , long ago , I climbed a fence , and arts of the coryphee mean nothing to jumped down into a little hollow beneath . me . I have sought all my attitudes and I heard a loud hissing , and , looking down , movements in the art galleries of Europe , I saw a huge ' rattler ' darting at me . I on Etruscan vases and Assyrian tablets , gave a scream , and then realized that I and I have modelled my motions on their was standing upon its mate . For the mo crude perspectives . ment I was paralyzed , and then I started " And I feel somehow that Salome was to run ; another snake , and another snake , as unstudied and as untaught as I. She and another snake sprang up . I realized had seen her women dance perhaps , and at last that I was in their breeding place , she must often have stopped to look at and in another moment I saw I was sur the old Assyrian tablets as I have done , rounded by literally a hundred of them . and unconsciously incorporated their pic- I danced here , I dodged there , and I ran tures in her dramatic interpretation of the whole time with the brutes in full the tragedy of the moment when she pursuit ; but I flew faster than they , and danced before King Herod . She danced at last a little stream crossed the wood , by instinct , for dancing , however conven- and I dashed across it , and they could fol tional it may become , is in its essence a low me no farther . Yes , my most ex thing of instinct . And a tribe in savage citing dance was in that Californian forest Africa would display the same motions of long , long ago . " And then , with a quaint fear , of joy , or sorrow , as we ourselves . turn of her fexible mind , she added : Dances express emotions and these " But not even their venom can equal that dances are neither the swaying to and of the venom of those who wilfully mis fro to a valse measure in a London draw- construe my innocent Salome dance . " 78 Busy BUSY MAN'S MAGAZINE OCT 1908 P 78-79

Auto-generated content

Auto Tags
Tag descriptions added automatically
text black and white receipt photo screenshot Black and white
Auto Objects
Auto-generated identification of objects in this Item
Auto Description
An autogenerated description of this Item
Text
Face count
Auto-generated number of faces in the Item
0