Felix Cherniavsky - Clippings 1900s 1

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 324 51 2008-1-29.jpg
Maud Allan 324 51 2008-1-29.jpg
(No description added)

Felix Cherniavsky - Clippings 1900s 1

Discover Placeholder
Description
The description of this Item
Collections
The collections that this item appears in.
Maud Allan Research Collection
Tags
Tag descriptions added by humans
Identified Objects
Description of the objects in this Item
Accession Number
DCD's accession number for this Item. It is the unique identifier.
51.2008-1-29
Original Filename
Extracted text
43 Pall Mall Gazette . # 6 than the A Manch ? NEW DANCER . --pring 1908 rementoer . ******** ** Song and the Valse , - and , perhaps , most of all as she appeared when in response to the applause , ' she came MAUD ALLAN AT THE PALACE before the curtain and modestly bowed her thanks . She strikes one as a rather interesting personality , whose THEATRE P. 8 work it would be a pity to vulgarise ' by extravagant Cof 2 . description ; and , as has been said , her nianagement of her arms and hands is extraordinarily beautiful . It is to be regretted that so much extravagant writ . Pall Mall Gazette March7 1908 . ? . ing , should have been circulated in connection with the appearance of Miss Maud Allan , the dancer , at the Palace Theatre . Born in Toronto , we are told that she belongs to a land where the fires of the French tem A NEW DANCER , perament glow ardently through the icy purity of the People of Snow . " . And we are also told a good deal CANADIAN WHO WILL mores , calculated only to have the effect of making the STIR LONDON . young lady appear rather ridiculous . This , hs we have SAT 7/3 said , is a pity ; for , when she makes her first public AN ECIIO OF ANCIENT appearance on Monday evening next , the audience will , DAILY GREECE 7 Madd unless we are much'mistaken , recognise a very genuine MALE 196.8 London is to have another artistic sensa talent . She gave her entertainment yesterday after tion , which is likely to cause more stir even Sicilians . " On Monday night , noon before a large company of invited guests ; and Miss Maud Allan , tho Canadian dancer , any lack of enthusiasm displayed may , we think , be put who has aroused the wildest enthusiasm wherever ebe performed on the Continent , down , to the absurd expectation's held out and the sin is to make her first appearance at the Palace Theatre . The sordid realism of gular picture painted of her in a certain circular , A the amazing Sicilians is to be followed by lady of whom we are told that " she has ransacked the a dinplay of artistry of a very different type --the tangible by a pure abstraction . In shrines of plastic Beauty and worshipped humbly and Miss Allan , all the noblest arts , the music of the masters , the rhythm of imaginary prayerfully , before the Art of the Universe ” inust , be porms , the triumphy of Groek woulpture and of Botticelli's brush , are expressed or prepared for a little coldness of scrutiny from an English a suggested in the measured movements of a perfectly shaped body . audience . Miss Allan , who displayed her marvellous art to an wvited audience at the Palace Miss Allan dances to classic music , principally that Theatre yesterday afternoon , dances not only Chopin's Valse in A ininor and Rubin of Chopin ; and one of her most dramatic performances stein's Valse Caprice " : obe dance Men . del sohn's Spring Song , " and " Chopin's * Marche Funebre ” ! And she dances " The is given to the strains of the far - famed Funeral March . Vision of Salume " ! The subtlest nuances of the inusic are Draped and hooded in sombre muslins , she seeks to echoed in the quivering movements of her body - movements the dio vf which are express by her movements the emotion's conveyed by the in inodern day and in Ancient Grece may music ; and , upon the whole , one may say that there is have known such dancing . Again and again Miss Allan translates into a good deal of harmony between her performance and life the dancing and piping maidens painted on Greek vases aud carved in Greek reliefs . the melody : In a gayer mood she gives a perfectly INTOXICATION OF MUSIC . delightful dance to the music of Mendelssohn's Spring Then , suddenly , Botticelli's " Allegory of Spring " is called into life by her , figure by Song - as joyous a thing as London has seen . To a figure , attitude by attitude . Her body shrinks and expands with the movement Rubinstein ** Valse " Çaprice her movements are wilder , and accentuation of the music . Now she is an impish sprite dancing in angular mean . more abandoned , always very , expressive ; and there is dering rhythm across the stage ; then sud denly she beconies a * Diane Chasseresse equal interest in her interpretation of one of Chopin's of the French eighteenth century , and thea , with the growing intoxication of the Valses , and of one of his ' Mazurka's . She dances with musie , a reeling Bacchante , reeling , but bare feet , which , one would say , is rather a handicap to still rhythmically moving , until she lapses with the name grace with which she her than otherwise . Her arms , also , are bare ; and the was just spinning round the stage . makes us rcalire , as we have never realised most remarkable feature of her whole performance is before , the close links the really exquisite use she makes of them and of her plastic and pictorial arts of periods divided by many centuries - from the Etruscan vase , hands . We can recall no dancer who has made aróns through Botticelli , to Carpeaux Miss Allan dances not only with her legs and hands so expressive and so fascinating . and feet , but with every part of her body , with her sery skin , that has thrills and ... Her face is a handsome one , with a pleasant expres shivers such as are produced by the sudden sion , and of quite the English type ; but for her last of her arms are indescribably and strangely beautiful . She moves them not as we have dance , which she calls “ The Vision of Salome , " and other deacers move them , but as though longitudinal waves were running which , she apparently regards as her chef d'auvre , she from shoulder to finger - tip . And her hands wears a very unbecoming black wig , and contorts her dance ; every finger dancer ; everything be comes movement and rhythm . features into a variety of more or less exaggerated ex In the " Vision of Salome the classic Greek maiden is transformed into a hot . pressions , faw of which are beautiful . This is presented blooded , sensual Oriental ; the lithebess of as the dance of Herodias , which won as its reward the her body becom's snakelike , seductive . She glides and slides around the head of St. head of John the Baptist , and towards the end of it the John with inovements suggesting a cat eser . cising its agility and senting its cruelty , head appears , as in a vision ; resultiog in divers disagrees upon a helpless mouse . It is the dance that will draw London to the Palace ; able transports on the part of the dancer , This takes but Miss Allan's supreme artistic achieve Valse Caprice . P. G. E. place to music of an Eastern colour ; and the whole thing js undeniably as clever as it is sensational ; but , for our own part , we took but little pleasure in it , and prefer to remember Miss Allan as she tripped through the Spring not been seen western countries . Who knows ? col . She that connect the contact with cold water . The movements Spen Salome tuent is the

Auto-generated content

Auto Tags
Tag descriptions added automatically
text newspaper letter book photo
Auto Objects
Auto-generated identification of objects in this Item
Auto Description
An autogenerated description of this Item
Text
Face count
Auto-generated number of faces in the Item
0