Felix Cherniavsky - Clippings 1900s 1

Added 18th Mar 2022 by Beth Dobson (Archives and Programming Assistant, DCD) / Last update 18th Mar 2022

Maud Allan 276a 51 2008-1-29.jpg
Maud Allan 276a 51 2008-1-29.jpg
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Felix Cherniavsky - Clippings 1900s 1

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Maud Allan Research Collection
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51.2008-1-29
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DAS DEUTSCHE VOLKBLATT , Vienna , 1903 . my " Even though Miss Allan is younger than Miss Duncan , her art is more refined Her movements are more rounded and deliberate . " 1A Petzl 1966 Berlin Winterfed of the 2 Unon of 2 Berhen Weihe wokereries Moned Write tanto pų ! Vasen plastic almoplane 2 BERLINER TAGEBLATT , March 4th , 1905 . personnat Ave Maria " The last number in her program was quite extraordinary and amazing . Chopin Maud Allan ' danced ' Chopin's Funeral March . Her movements were based on life impressions , She did a dignified and noble , a truly artistic imitation of the mourners ' gestures , thus transforming the musical content into visual images . Miss Allan has a greater musical talent than Miss Duncan ; she is more successful in co - ordinating movements and music and also seems to be in better command of her slender body . " 3 DER TAG , Berlin , March 14 , 1905 . Prof. Dr. Karl Krebs writes : " Miss Allan possesses a great amount of gracefulness and intelligence , her mimic interpretation of Chopin's Mazurka in F sharp minor may even be called ingenious . " BERLINER TAGEBLATT , Berlin , April 5th , 1906 . 3 " Miss Allan's advantage over Isadora Duncan lies in the greater beauty of her extremely pliant body as well as - and this is something very fundamental - in her greater musical sensitivity . When interpreting Schubert by moving about in a most noble and solemn manner , or when dancing to Mendelssohn's or Chopin's music , her movements truly reflect the full scale of these musical works ' charms and nuances . And even in pieces with merely mimic interpretation , like ' Ave Maria ' and the Funeral March , Miss Allan expresses something very original : in her touching expressions of prayerful devotion , of tragic suffering , she is not copying Miss Duncan . " NATIONAL ZEITUNG , Berlin , April 7th , 1906 جا ) hubensteins Tabors see auto 25 Prof. Altmann writes : " Miss Maud Allan presented mood settings which were immensely appealing to the eye . By means of her refined gestures and her way of dancing , the young artist is extremely successful in reflecting the mood of the musical work in question ; her interpretation of Mendelssohn's Springtime Song was superb . Her renditions of Schubert's ' Ave Maria ' showed devotion , her present ation of Chopin's Funeral March stirring emotions , Miss Allan's mood settings are bound to fascinate even wider circles than Miss Duncan's presentations . "

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